- 01/31 Così Fan Tutte
- 01/27 Nicholas Daniel to receive Queen’s Medal
- 01/20 Violin Masters on Parade
- 01/17 Gustav Leonhardt
- 01/14 Decoding Strauss
- 01/11 Carnegie Hall to Establish National Youth Orchestra
- 01/06 NYO - Daniel
- 01/03 Stradivarius v modern violins
- 12/25 Young Artists Play With Stars
- 12/21 WCPE’s “My Life in Music”
- 12/16 An Act of Dissent
- 12/09 Emboldened Orchestras Embracing the New
- 12/06 Heras-Casado Named Principal Conductor
- 12/03 Orpheus in the Underworld; La traviata - reviews
- 11/28 Stradivarius violin 'replicated'
- 11/27 Review of Tosca
- 11/21 Nippert Gift cited - CSO
- 11/14 Mozartfest – review
- 11/09 Beethoven and Eliot, Missed Connections
- 11/03 Pianomania - Review
- 11/01 Titans Clash Over Cadenza
- 10/31 Bartok at Home
- 10/23 Orchestra Plays On
- 10/23 Anna Larsson – Oxford lieder festival
- 10/19 Bartók's string quartets - Takács Quartet
- 10/10 A giant of the art
- 10/04 Petrenko – review
- 09/28 Paul Lewis – review
- 09/21 Maestro’s Injury Ignites Chaos
- 09/17 Janácek - Prokofiev - Ravel
- 09/12 Cigala & Tango – review
- 09/08 Lighter, Smaller Mahler
- 09/06 James Levine Withdraws From Met Fall Season
- 09/05 Tenor Salvatore Licitra dies in Sicily
- 08/30 Michael Gordon's
'Timber'
- 08/28 Mostly Mozart’s End, and Unfinished Works
- 08/25 Heart of a Soldier
- 08/24 Liszt: Harmonies du Soir
WCPE Features: Opera
WCPE offers 2 wonderful opportunities each week to hear the best in opera... Thursday nights at 7pm, and Saturday afternoons at 1:30 (when the Met is in season.) The WCPE Opera House has been a regular Thursday night feature at WCPE since April of 1980. On Saturday afternoons during the Met season, tune in for live broadcasts from the Metropolitan Opera.
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On December 4th, 2008, Bob Chapman became only the third host in the history of the WCPE Opera House, succeeding Robert Galbraith. An opera singer himself, Chapman has been the weekend host of Sleepers, Awake! since September 2006.
“If it ain’t broke, don’t fix it,” says Bob of the show founded and nurtured by the legendary Al Ruocchio, who hosted the Opera House from its inception in April 1980 until his death in February 2007. “Al’s enthusiasm for opera was infectious, and he deserves much of the credit for creating an audience for opera in central North Carolina.” The WCPE Opera House is aimed at two distinctive audiences: those who already know and love the art form, and those who’ve only recently discovered opera and are anxious to learn more about it.
“Al Ruocchio created a format that worked very well, and Robert Galbraith expanded upon it, introducing more contemporary works. We’ll continue to play works from the core Italian, French, German, Czech and Russian repertoires while introducing newer masterpieces by contemporary American and English composers,” says Chapman.
If you wish to email Bob Chapman, please click here!
Click here to listen to Bob Chapman's interview with Anthony Roth Costanzo
as well as performance of "Stille amare" ( MP3 format )
Click here to listen to Bob's Interview with Teresa Stratas
Soprano
12/25/10
Follow WCPE Opera House on Facebook | Twitter
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WCPE Opera House Schedule for Winter 2011/12:
Thursdays at 7pm with host Bob Chapman
December 1 — Donizetti’s Marino Faliero
Elena (Farkasréti), wife of Doge Marino Faliero (Altorjay),
falls in love with hubby’s friend Fernando
(Albert), while the Doge is executed for conspiring
against the Council.
December 8 — Berlioz’s La Damnation de Faust
Aged philosopher Faust (Burrows) gives his soul
to Méphistophélès (McIntyre) in exchange for
another shot at youth, then seduces the beautiful
Marguerite (Mathis).
December 15 — Weber’s Euryanthe
Lysiart (Krause), secretly in love with Euryanthe
(Norman), makes a bet with her husband Adolar
(Gedda) that she’s unfaithful, which he “proves”
with a poisoned ring. (From the Ruocchio
Archives.)
December 22 — Puccini’s La Bohème
Poet Rodolfo (Alagna) falls in love with sickly
seamstress Mimi (Vaduva), while Marcello (Hampson)
argues with his flirtatious girlfriend Musetta
(Swenson).
December 29 —Lehár’s Die Lustige Witwe (The Merry Widow)
Hanna (Studer) will lose her late husband’s
fortune unless she marries a fellow Pontevedrian,
but Count Danilo (Skovhus) is still angry over her
earlier rebuff.
January 5 — Lully’s Atys
The goddess Cybèle (Laurens) falls in love with
Atys (Mey) and makes him a high priest, but he
falls in love with his rival’s daughter. When Cybèle
finds out, she castrates Atys and turns him into a
tree.
January 12 — Wolf-Ferrari’s Sly
While drunk, Sly (Carreras) is duped by a hateful
Earl (Milnes) into believing that he’s a nobleman.
The Earl’s mistress Dolly (Kabatu) complicates
things by falling in love with Sly.
January 19 — Puccini’s La Fanciulla del West
Saloonkeeper Minnie (Tebaldi) falls in love with a
stranger, Dick Johnson (Del Monaco), who’s actually
the bandit Ramirez and wanted by sheriff Jack
Rance (MacNeil). (From the Ruocchio Archives.)
January 26 — Mozart’s Le Nozze di Figaro
Servants Figaro (Siepi) and Susanna (Peters) outwit
their boss, Count Almaviva (Borg), who wants
to sleep with the maid. The countess (Amara) tries
to save her marriage, despite having an affair with
the teenaged page Cherubino (Miller).
February 2 — R. Strauss’s Capriccio
Countess Madeleine (Schwarzkopf) is wooed by
composer Flamand (Fischer-Dieskau) and poet
Olivier (Wächter), who argue over the primacy of
music or poetry in opera.
February 9 — Massenet’s Hérodiade
In this version of the Biblical story, John the Baptist
(Heppner) admits to loving Salomé (Studer),
who had earlier been sent away by her mother
Hérodiade (Denize) when she married Hérode
(Hampson).
February 16 — Rossini’s La Cenerentola
Rossini’s version of the Cinderella story stars
Cecilia Bartoli in the title role. Cenerentola is
magnanimous toward her father, stepmother, and
stepsisters after marrying Prince Charming. (From
the Ruocchio Archives.)
February 23 — Verdi’s Un Ballo in Maschera
Boston governor Riccardo (Peerce) is in love with
Amelia (Milanov), wife of his best friend Renato
(Merrill). Fortune teller Ulrica (Anderson) tells
Riccardo he’ll be killed by the next man to shake
his hand, who turns out to be….
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Find out more at the Met Opera Information Center.
Find out more about the Metropolitan Opera.
Find study guides and more at the Metropolitan Opera Guild's Learning Center.
